Drills

The Drills section opens with a champion's basics: Koji Shibamoto — two-time European and eight-time Asian IBJJF champion — runs the partner-drill foundations of guard passing: leg pummeling, leg work, foot wipes and windshield wipers. None of it finishes anybody; all of it is the movement vocabulary passing is built from. Solo Drills lives one tile over for the partnerless version — this shelf is two bodies and repetitions.

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Shibamoto's second entry on the shelf is the companion to his first: the basic movements and drills from the top — the passer's side of the same guard-passing vocabulary. Where Drills #1 cycles the legs through pummeling and windshield wipers, this set grooves the top player's base movement patterns that make those cycles hold up under pressure. Drill the two reels together; they are two halves of one practice.

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A Korean passing set widens the shelf: oasis.kang's five must-know pass drills, built to be chained — the instruction is to connect the options naturally depending on the situation, which is the whole passing game in one line. Shibamoto's entries groove the individual movements; this one strings five complete passes into a decision tree. Drill them in order, then shuffle.

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Filed descriptively: the caption is hashtags only — MMA, BJJ, grappling, wrestling — so the entry goes by its athlete. Alona Rassokhina is a professional MMA fighter (ONE Championship; WWFC champion at 48 kg), and the reel is drill work from her room: wrestling-and-grappling repetitions built for fighters rather than the gi scoreboard. A different flavor for this shelf — Shibamoto and oasis.kang drill for passing; this one drills for the cage.

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Passing as linked combinations, not single moves: Silva's Houston class connects guard passes with footwork, cutting angles to pass on the outside — "watch how we link the combinations." Filed on the Drills shelf at your label: the material is passing, but the lesson is the linking, and linking is drill work.

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